![]() This is quite a standard approach I think for solving this issue and its worked great for me, I couldn't be happier with the results. Then I assembled each saddle back onto the bridge in its original position, the intonation was still decent enough for me but you can re-set. I used a sharp hobby knife to trim the copper to the profile of the saddle mounting face. I then stacked pieces of adhesive copper tape on top of eachother to just under double the "difference in action required" for each saddle and stuck it to the underside of the saddle. G was 1mm so I wanted to raise that action 0.4mm. Then I measured the difference in action for all of the middle strings eg. i set the bass E and treble E at 1.4mm via the neck shim setup. I have my axis action set 1.4mm at 12th fret on all strings with a dead straight neck. So it did feel wierd having the high E "high" and middle strings "low" when playing the axis 10" radius with a flatter bridge radius. ![]() Previously I was used to 16" radius with a 10-12" floyd and on that the middle strings where then obviously higher. I know this thread is old but was searching in this area recently so thought I would put my "fix" in for this issue as it was the first 10" radius neck with floyd I had. Click to expand.This is what i posted on a similar post earlier if it helps.
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